{"created":"2023-06-23T12:32:07.796160+00:00","id":49,"links":{},"metadata":{"_buckets":{"deposit":"ab21a5d3-1671-4786-96f5-5e2c0b9ea4ed"},"_deposit":{"created_by":3,"id":"49","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"49"},"status":"published"},"_oai":{"id":"oai:serve.repo.nii.ac.jp:00000049","sets":["1:10"]},"author_link":["3813"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1989-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"211","bibliographicPageStart":"199","bibliographicVolumeNumber":"第2巻","bibliographic_titles":[{"bibliographic_title":"聖学院大学論叢"},{"bibliographic_title":"The Journal of Seigakuin University","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"ロマン主義の異端児であったアルフレッド・ドゥ・ミュッセは、従来の演劇技法に拘束されることなく、「読むための戯曲」に専念し、その劇中人物に「自我」を託して表現した。アンドレ、オクターヴ、ペルディガン、ロレンゾ……こういった若き主人公たちは、いずれも作者と同じく「世紀病」に冒された「世紀児」である。「生きていることの難しさ」に直面した主人公＝作者の生涯こそが、まさに「ドラマ」（ロマン主義劇）になっており、時代を超えて、理想と現実の間で苦悩する若者の姿である。本論では、少なからずシェークスピアの影響がみられるミュッセの作品中、「ドラマ」の最高峰といわれた『ロレンザッチョ』、又、『戯れに恋はするまじ』を始めとする一連の18世紀フランスの伝統をひく格言劇を中心に、いずれの登場人物にも共通してみられる永遠の青年像「世紀児」を作者の生涯と並行して追究した。","subitem_description_type":"Abstract"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0915-2539","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鹿瀬, 颯枝"},{"creatorName":"カノセ, サツエ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"3813","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-09-13"}],"displaytype":"detail","filename":"1798.pdf","filesize":[{"value":"684.7 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"鹿瀬颯枝_ミュッセ劇における登場人物の普遍性_聖学院大学論叢2.pdf","url":"https://serve.repo.nii.ac.jp/record/49/files/1798.pdf"},"version_id":"d8ae4178-af68-4b1d-bd00-18981a32992a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Proverbe","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":" Drame","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":" Héros déchu","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":" Enfant du siècle","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":" Epoque romantique","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"fra"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ミュッセ劇における登場人物の普遍性","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ミュッセ劇における登場人物の普遍性"},{"subitem_title":"Universalité des personnages dans le théâtre de Musset","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["10"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-09-13"},"publish_date":"2017-09-13","publish_status":"0","recid":"49","relation_version_is_last":true,"title":["ミュッセ劇における登場人物の普遍性"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-06-23T13:23:37.009429+00:00"}